Archive for category connect
So Where Do Good Ideas Come From?
Posted by Tim in book riffs, connect, networks on 1 February 2012
I ran across an outstanding post today by John Battelle reviewing Where Good Ideas Come From: The Natural History of Innovation.by Steven Johnson.
It’s one of my favourite books from the last couple of years, and Battelle does a great job of highlighting the key points in it. He also reminded me of a table that Johnson put in towards the end of the book. It looks at the genesis of what he thought were the most significant ideas of the 19th and 20th centuries. He then assessed whether they were developed in commercial firms or non-commercial organisations, and whether they were generated by individuals or by networks of people.
Here’s the table:
This illustrates several important points:
- It’s never either/or, it’s both/and. Are individuals or networks more innovative? Networks – there’s plenty of research to back this idea up. Nevertheless, individuals still generate plenty of big ideas. It’s the same with market vs. non-market – lots of great ideas come from both. More come from non-commercial environments.
It’s really easy to argue black and white statements (“Only small firms innovate!” “No – only big ones do!”). But they’re never true. In order to support innovation, we need to look at these dichotomies and figure out which circumstances favour one approach over the other. And then we need to support both. This is true for market vs. non-market, for individuals vs. networks, for big firms vs. small firms.
Black and white thinking is dangerous.
- Networks are a critically important source of great ideas. The lone inventor idea is still with us. Here is what Johnson says about networks:
Ideas rise in crowds, as Poincaré said. They rise in liquid networks where connection is valued more than protection. So if we want to build environments that generate good ideas—whether those environments are in schools or corporations or governments or our own personal lives—we need to keep that history in mind, and not fall back on the easy assumptions that competitive markets are the only reliable source of good ideas. Yes, the market has been a great engine of innovation. But so has the reef.
The second part of that quote leads to the next point:
- Non-market organisations are critical components of the innovation ecosystem. Many of the ideas that led to you being able to read this blog post came from non-market networks – the computer and the internet being chief among them. But just to illustrate the first point, smart phones, which aren’t in the table, came from a market network. Nevertheless, it’s important to understand how crucial non-market organisations are to generating big ideas.
- Most big ideas get turned into innovations by the market. Here is what Battelle says:
This doesn’t mean those ideas don’t become the basis for commerce – quite the opposite in fact. But this is a book about how good ideas are created, not how they might be exploited. And we’d be well advised to pay attention to that as we consider how we organize our corporations, our governments, and ourselves – we have some stubborn problems to solve, and we’ll need a lot of good ideas if we’re going to solve them.
Effectively connecting non-market organisations with market-based firms is one of the most important roles of government. In regions that innovate well, these two sectors interact more effectively than in less innovative regions.
Invention and innovation are two different things. However, we still need to start with a great idea to innovate well. Understanding how good ideas originate is an important part of doing this.
There’s No Such Thing as Information Overload
Posted by Tim in complex systems, connect, filter, innovation, time on 13 January 2012
The size of your inbox or your RSS feed or your twitter stream might all argue otherwise, but there’s no such thing as information overload.
Or, at least, if there is, it’s not new. Check this out:
As long as the centuries continue to unfold, the number of books will grow continually, and one can predict that a time will come when it will be almost as difficult to learn anything from books as from the direct study of the whole universe. It will be almost as convenient to search for some bit of truth concealed in nature as it will be to find it hidden away in an immense multitude of bound volumes.
That was Denis Diderot in “Encyclopedie”, back in 1755. 1755!
The problems that we have with information isn’t that there’s too much of it – there has always been too much. Rather, there are two related problems with information: how do we filter out information that doesn’t help us, and how do we find information that we need.
Jorge Luis Borges touches on this in his story The Library of Babel. You should go read it here since everyone should be reading more Borges. The story is short, but packed with ideas. The library has an infinite number of rooms, all filled with books. Each book is the same length, with randomly assembled letters. The Men of the Library spend their lives wandering the shelves, reading the books. Since the library is infinite, it must contain all books ever written (and all that will be written!), but since the library is infinite, the odds of coming across even one sentence that makes sense are exceedingly small.

It is useless to observe that the best volume of the many hexagons under my administration is entitled The Combed Thunderclap and another The Plaster Cramp and another Axaxaxas mlö. These phrases, at first glance incoherent, can no doubt be justified in a cryptographical or allegorical manner; such a justification is verbal and, ex hypothesi, already figures in the Library. I cannot combine some characters
dhcmrlchtdj
which the divine Library has not foreseen and which in one of its secret tongues do not contain a terrible meaning. No one can articulate a syllable which is not filled with tenderness and fear, which is not, in one of these languages, the powerful name of a god. To speak is to fall into tautology. This wordy and useless epistle already exists in one of the thirty volumes of the five shelves of one of the innumerable hexagons — and its refutation as well. (An n number of possible languages use the same vocabulary; in some of them, the symbol library allows the correct definition a ubiquitous and lasting system of hexagonal galleries, but library is bread or pyramid or anything else, and these seven words which define it have another value. You who read me, are You sure of understanding my language?)
What do you do when you are faced with all of the information in the world? To make any sense of it, you have to find the information that is useful to you. So we filter.
As Borges suggests, each piece of information means something to someone, even if it’s gibberish to us. We need to knock out the stuff that’s gibberish. So we find ways to ignore information, by saying things like “Twitter is just 100 million people talking about what they ate for lunch, so why would I waste my time with that?” I do this by ignoring TV (unless I can find a hockey game on). Everyone makes choices about what they should be paying attention to.
The key to dealing with information is to be conscious of the choices that you’re making, and to develop a strategy or a set of routines for handling it. Howard Rheingold has created an outstanding set of resources for his classes on Mind Amplifiers and Infotention. Start with those to develop a filtering strategy.
We’ve always had too much information to handle, and we’ve always dealt with it by developing routines. The real difference now is not that there’s so much more information, it’s that we don’t have good routines to go with the new channels that the information is taking to get to us.
The danger in thinking that we have too much information is that we’ll start missing out on innovation opportunities. After all, the creative part of innovation is about making novel connections between ideas. So we actually have to seek out information that is a bit out of the ordinary (see the end of this post for some techniques for doing this).
If you think that the problem is information overload, then this will seem completely counterintuitive. That’s why it’s a dangerous idea – if you take it seriously, it makes it much harder to innovate.
That’s why I say that there’s no such thing as information overload. Even if that’s not strictly true, we’re better off acting as though that’s the case.
Innovation Betterness
Posted by Tim in book riffs, connect on 12 January 2012
Why does your firm exist?
To maximize shareholder value? No – that’s the dumbest idea in the world.
To reduce transaction costs? No – that’s another economic model that doesn’t have much grounding in reality.
In fact, if you ask this of most firms, they don’t have a very good answer. There have been a few compelling contributions to this discussion recently. In the post linked to above, Steven Denning suggests that delighting customers is a much better goal than maximizing shareholder value.
And in his new book Betterness: Economics for Humans,Umair Haque says that firms should exist to make us and the world a better place. That might sound a bit utopian, but think about the opposite of that idea – do you really want to spend your life working for an organisation that makes the world worse?
Betterness
Here is the problem that Haque is trying to address:
Big Question: what does it mean to live meaningfully well? If you accept the less-than-heretical proposition that our way of life, work, and play, while materially rich, might be leaving us emotionally, relationally, socially, physically, and spiritually if not empty, than perhaps just a little bit unhealthy; that it might be optimized for more, bigger, faster, cheaper, nastier over wiser, fitter, smarter, closer, tougher — how would we redesign economies, markets, and organizations to help us live better?
He suggests that we start by redefining what we are trying to achieve with our organisations.
To do this, Haque says that “Going from business to betterness means going from vision, mission, strategy, and objectives to ambition, intention, constraints, and imperatives. To give you an idea of what this means, I’ve been using the book to think about what I’m trying to accomplish in my work. So I’ll walk you through what I’ve been thinking, which I hope will give you some ideas about how you and your organisation might change as well.
Ambition
Ambition replaces vision – and it answers the question “why are we here?” More specifically, ambition is meant to outline the kinds of returns you will provide, and to whom you will provide them. It’s based on delivering genuine value to people.
My Ambition: I will help make work better through encouraging innovation that matters – innovation that makes customers’ lives better, and which encourages strong, sustainable and interesting organisations.
Intention
Intention looks at how you will make the people you interact with better. How will you achieve your ambition? Which day-to-day activities will drive this forward?
My Intention: My work will help build innovation skills and strong networks to make firms more fun, resilient, adaptable, and sustainable. I’ll do by doing research that contributes to developing a genuine understanding of how organisations create value; and by communicating the results of this work in a way that will have an actual impact on the way people work – through teaching, through books and articles, through this blog, through speaking and through working directly with organisations.
Constraints
This is the trickiest one to get my head around. Constraints are the things that must not be done. Instead of trying to carve out a competitive advantage through executing a strategy, the betterness approach looks to build value by enabling customers. Constraints are about avoiding things that do damage.
My constraints: I will not: encourage innovation just for the sake of novelty; try to elevate my ideas by taking shots at others; get caught up in publishing for the sake of publishing instead of communicating to effect change.
Imperatives
Imperatives are simply the things that must be done daily.
My imperatives: I will: make evidence-based recommendations; share knowledge daily; have a positive impact on the people with whom I work.
Innovation Betterness
If you take these ideas seriously, you end up with what Haque calls behavioural innovation. In summarizing the research behind the book, he describes the organizations that were more successful:
Those who were able to create wealth were a new kind of innovator: behavioral innovators. Innovation is often conceptualized at the level of products and services, business models, or competencies. Behavioral innovators pushed the boundaries at a higher level. They made novel, different, innovative sets of decisions compared to current rivals and historical peers. These decisions weren’t one-offs, but consistent, repeated, and predictable: novel habits about products and services offered, investments seeded, people employed and goals sought, more sharply focused on elevating human potential.
This gets at another question that Steve Denning asked recently: Why Are There No Successful Innovation Initiatives?
In part, it’s because change is hard. As Gregg Fraley says in a comment on yesterday’s post – if innovation were easy, everyone would be doing it.
But it goes deeper than that: to have a successful innovation initiative, it’s not enough to just talk about the importance of innovating. It’s not enough to get some tools. To innovate successfully, you actually have to change how you do business.
This is one of the key points that Jeffrey Phillips makes in Relentless Innovation. He says that to embed innovation, you have to make it part of Business As Usual. That’s why we keep talking about the importance of linking innovation to strategy.
But if you do that, you are changing your whole business model. If you are genuinely committed to making a change, you end up changing your value proposition. Once you do that, everything else has to change as well.
I think that Haque’s Betterness principles can help with this. If you are going to become genuinely committed to innovation, you might as well start with your value proposition. If you work through defining clearly your ambition, intention, constraints and imperatives, you will have to embed innovation into your new Business As Usual scheme.
It took me longer than usual to write this post. I’m a bit nervous about stating my intentions as clearly as I have, and this is still a work in progress. But I hope that you will tell me if my ambitions are failing you, since the people here are a big part of who I am trying to have an impact on. If you have any feedback on how I’m doing, or suggestions on how to do it better, please let me know.
Here’s one last thought from Umair:
A life well lived is a consequence of human choice: the decision to pursue the significant over the trivial, the enduring over the evanescent, and the meaningful over the useless. So here’s my challenge – live one.
Four Ways You Can Be More Innovative
Posted by Tim in book riffs, connect on 10 January 2012
Innovation is the process of idea management. This means that to innovate effectively you need to have great ideas, select the best ones and execute them, and then get those executed ideas to spread.
All three steps are interdependent, and you need to be good at all three to innovate effectively. Today I’m interested in things you can do to get better at getting your ideas to spread. The improvement points cover all three steps of the innovation process, and I picture it like this:
To get better at getting your great ideas to spread, you can do three things:
- Have better ideas,
- Get better at making your ideas real, or
- Find better networks into which you send them.
Have Better Ideas
The first two ways you can be more innovative are:
- 1. Move to a more densely populated, better educated city.
- 2. Make your city more densely populated & better educated.
What do these two things do? They give you access to a more diverse range of ideas, which in turn make your own ideas better. Two books have addressed this recently. Harvard academic Edward Glaeser has written Triumph of the City: How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier, and Happier,and The Economist Editor Ryan Avent has an excellent little eBook called The Gated City
. A lot of the foundational research covered in both books has been done by Glaeser, and he writes very well, but I prefer Avent’s book by a small margin.
Both authors make the point that cities with higher population density are more productive, primarily because this increased density leads to an increase in innovation. Here is what Avent says:
Innovation is rarely an individual act. Complex problems often take time and multiple perspectives to solve. The atmosphere of communicative competition within big cities is incredibly good at facilitating this process. Talented workers in similar fields wrestle with problems, try to top each other, learn from each others’ mistakes, hire each other, fire each other and inadvertently create competitors, and generally advance the state of knowledge within an industry.
…
Density boosts productivity, economists find, though estimates of the effect differ. Antonio Ciccone and Robert Hall find that doubling county-level employment density raises productivity 6%. They note that over half of the variation in output per worker across US states can be explained by density. That’s remarkable. Employment density – not skill level, not the composition of industry, not tax policy – explains most of the difference in productivity across states. Timothy Harris and Yannis Ioannides also find that doubling density raises productivity by 6%.
…
Jaison Abel, Ishita Dey, and Todd Gabe find, by contrast, that doubling the density raises productivity by just 2% to 4%. They add a caveat, however: the impact of density on productivity varies with the stock of human capital – essentially how skilled a city is. Cities with low worker skill levels experience virtually no productivity improvement from increased density. The productivity gains in skilled cities, on the other hand, are twice the average.
So you can improve your personal innovation performance by moving to a bigger city, and tapping into the diverse networks there. Just make sure it’s a well-educated city (these are more fun to live in anyway!).
If this seems like too much trouble, then you should at least work to encourage immigration into your current city. Get culturally diverse, well-educated migrants moving to your city.
Get Better at Making Your Ideas Real
For many people, the fun parts of creative work are having the exciting ideas in the first place, and seeing those ideas come to fruition at the end of the process. The part in between isn’t as much fun. As Dorothy Parker said: “I hate writing. I like having written.”
There are a whole string of books written that basically try to spur people to action – to execute their ideas. They read like self-help books, but a lot of times, innovative people do in fact need to help themselves to get their ideas out the door. Seth Godin has published a series of these books as part of his Domino Project, including: his own Poke the Box,Do the Work
by Steve Pressfield, and most recently The Flinch
by Julien Smith.
Which you prefer will depend on whose style of writing you respond to most strongly. My favourite of the three is The Flinch. In it, Smith describes The Flinch as the response that we have to danger – we put our hands up in front of ourselves for protection, and flinch. He contends that while this response was evolutionary useful in the days when anything surprising was in fact likely to cause us harm, these days we flinch at things that don’t threaten us at all. The Flinch is the response that prevents us from executing ideas. If they are just ideas that no one else ever hears, then they won’t be rejected, and we won’t be hurt.
But they also won’t be loved, and we won’t accomplish the things that we hope to.
To be more innovative, we have to conquer The Flinch. Smith’s recommendation is to train ourselves to do things that are difficult:
Consider this: in your corridor, every flinch is a door you can open with a new scar and lesson behind it, the same way a kid learns by touching the burner. It’s an experiment—an attempt at something new. Not all experiments hurt, but all of them are valuable—and if you don’t open doors, you’ll never get the scars or learn the lessons. Open doors mean expanded options. The flinch will block you, but once the door is open, the threat vanishes. A new path appears.
…
But there’s a secret here, too: getting lost is not fatal. Almost every time, it will make your world bigger. You can look at the edges of your map, the places you were unsure about. Old explorers even had a phrase for it: “Here be dragons.”
…
The ability to withstand the flinch comes with the knowledge that the future will be better than the past. You believe that you can come through challenges and be just as good as you were before them. The more positive you are, the easier it is for you to believe this. You move forward and accept tough situations, so no matter the breakup, the job loss, or the injury, you believe you’ll recover and end up fine. If you believe this, you’re right.
The book currently costs $0 (that’s right – $0!), so there’s not much excuse for not checking it out. You should get this book, read it, and try out the ideas in it- they can help you be more innovative.
Here is an interview with Smith by Chris Brogan that explains more about the book (it contains swearing):
Find a Better Network
Ideas diffuse through networks. One way that you can be better at innovating is to find a network that is more receptive to your ideas. As Seth Godin says in his TED talk, you’re much better off sending your ideas to people that really care about them, and if you’re lucky, they’ll tell their friends.
Recent research has shown how ideas spread through networks – and that a small minority of committed people within a group can get everyone within the group to buy the idea:
“When the number of committed opinion holders is below 10 percent, there is no visible progress in the spread of ideas. It would literally take the amount of time comparable to the age of the universe for this size group to reach the majority,” said SCNARC Director Boleslaw Szymanski, the Claire and Roland Schmitt Distinguished Professor at Rensselaer. “Once that number grows above 10 percent, the idea spreads like flame.”
As an example, the ongoing events in Tunisia and Egypt appear to exhibit a similar process, according to Szymanski. “In those countries, dictators who were in power for decades were suddenly overthrown in just a few weeks.”
10% can be a small number of you are in the right group. On the other hand, if you’re trying to sell everyone in China on your idea, 10% is a pretty massive number. So you need to give some thought to the network that you’re pitching your idea to.
To identify the right network, you need to have a very clear idea of what your value proposition is, and who will gain the most benefit from what you have to offer. People resist new ideas, so you have to find a way to give them ideas that really matter.
The key point is that you have to choose. Don’t try to appeal to everyone, because winning over 10% of everyone is really hard. Create specific value for a specific group, and you can get to that 10% more easily.
There are other ways that you can get better at getting your ideas to spread. But these are all good places to start.
Four Ideas Triggered by Haruki Murakami
Posted by Tim in book riffs, connect on 6 January 2012
Haruki Murakami is one of my favourite authors, and in reading a couple of his books recently, I ran across several quotes made me think about innovation. In large part, this is because nearly everything I encounter makes me think about innovation one or another. Nevertheless, here are four thoughts triggered by Murakami.
The first two quotes come from his most recent novel 1Q84. In the first, two characters discuss a section from a book by Chekhov that one had read out loud to the other:
Thanks for reading the book to me. I felt close to the Gilyaks. Why do the Gilyaks walk through the forest swamps and not on the wide roads[?]
Even if the roads are convenient, it’s easier for the Gilyaks to keep away from the roads and walk through the forest. To walk on the roads, they would have to completely remake the way they walk. If they remade the way they walk, they would have to remake other things. … I don’t like to walk on the wide roads either.
In the Chekhov passage, this was framed as a diffusion of innovation problem: there were brand new roads that had been built for the people, but the Gilyaks refused to use them. Why? This illustrates an important point – when you change one thing, you have to change others.
It’s frustrating when people don’t adopt our great new ideas. Often, they resist not because of the idea itself, but because of the other things they would have to change to accommodate the new idea.
In the second quote, one person who is in hiding discusses how she could be found out:
“I don’t get it. Would an analysis like that really turn up where I am now?”
“I don’t know,” Tamaru said. “It might, and it might not. It depends. I’m just saying that’s what I would do. Because I can’t think of anything else. Every person has his set routines, when it comes to thinking and acting, and where there’s a routine, there’s a weak point.”
“It sounds like a scientific investigation.”
“People need routines. It’s like a theme in music. But it also restricts your thoughts and actions and limits your freedom. It structures your priorities and in some cases distorts your logic…”
This relates to a point I raised yesterday about the tradeoffs between efficiency and innovation. Routines help us become more efficient – the are an essential part of creating regular outcomes that can be measured and improved.
At the same time, these routines limit the scope of the ideas that we think about, which makes it harder to innovate. If you’re trying to innovate, think about the routines you use at work and personally, to try to identify how they might also be limiting your freedom.
1Q84 is an excellent book, but if you haven’t read any Murakami before, it’s probably not the best place to start.
I also recently finished What I Talk About When I Talk About Running. This is a non-fiction book in which Murakami discusses how his life as a runner is deeply interconnected with his life as a writer. Here is one passage that struck me in it:
In other words, you can’t please everybody.
Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one out of ten enjoyed the place and said he’d come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it the other way, it didn’t matter if nine out of ten didn’t like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like my place really liked it. In order to make sure he did, I had to make my philosophy and stance clear-cut, and patiently maintain that stance no matter what. This is what I learned through running a business.
John always talks about how strategy is making choices. In addition to saying what you will do, you also have to be clear about what you won’t do – what you’ll say no to.
In his new book Betterness: Economics for Humans, Umair Haque discusses Constraints as one of the key components of developing a strategy that matters. Constraints are simply those things you will not do.
The math may be different in your industry – it might take more or less than one repeat customer in ten to succeed. However, the fact that you need to make this one insanely happy is a constant. And you can’t do that if you’re trying to please everyone.
Finally, here’s a short quote from Norwegian Wood:
If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
I’ve talke about this before – finding your own set of information resources is a crucial part of innovating.
Of course, the real value comes from finding novel connections between the information that you’re processing – connecting ideas is the fundamental creative act in innovation.
Are You Creating or Replacing?
Posted by Tim in book riffs, connect, networks on 28 December 2011
Are you creating something new or replacing something that’s already there? If you’re replacing, you need to do much different things than if you’re creating something new.
Every time you try to get your ideas to spread, you have to break connections. This is a lot harder if you’re trying to replace a deeply embedded idea.
Here’s how I’m thinking about it:
Replacement is like trying to knock out the red target in the middle of the diagram. The triangles might be suppliers, or complementary products, and the circles might be customers. The point is, the idea is really embedded.
If you’re trying to replace something, you have to come up with an idea that is MUCH better than the one you’re trying to replace. Here is how Stowe Boyd put it today talking about the new Microsoft Phone:
The iPhone was easily an order-of-magnitude better that the shit phones we all tolerated when it launched. Microsoft had years to come up with something awesome, and it’s ok. Which means death, today.
Replacement means being an order-of-magnitude better.
More academically, here is Clayton Christensen saying something similar in The Innovator’s Cookbook, and pretty good edited volume put together by Steven Johnson:
Even if innovators succeed in cramming disruptive technology into an existing market application, the incumbents typically win. Digital photography, online consumer banking, and hybrid-electric vehicles are examples of potentially disruptive technologies that were deployed in such a sustaining fashion. Billions were spent on these innovation to beat out already acceptable and habitual technology; little net growth resulted, as sales of the new products cannibalized sales of the old; and the industry leaders maintained their rule.
In short, replacement is very difficult. You have to stand out from the crowd, which is awfully hard, and it requires a quantum leap in functionality.
If you’re creating, you face a different set of problems. When you create something new, you don’t have any connections at all – you have to create them from nothing. This is tough.
However, the payoff to creating something new can be a lot higher than replacing. And there are some ideas that make this easier.
- Not all crazy ideas are great, but most great ideas are crazy: Fred Wilson says:
When people ask me, “how do you know which companies and services are going to be the biggest successes?”, I usually tell them to look for the companies and services that are mocked and misunderstood. For some reason, that correlates highly with the biggest breakout successes.
- New ideas start out crappy: Greg Satell has a great interpretation of Christensen’s research, and he summarizes it by saying that disruptive innovations come through changing the basis of competition. To do this, you have to smart small, often with a new customer base, and with ideas that aren’t yet fully formed. This is completely different from how you approach replacement ideas.
- For new ideas, you can use things like the lean start-up methodology: this includes the concept of the minimum viable product. The basic idea here is that you get a working version of your idea out as quickly as possible, so that you can learn what works and what doesn’t. This requires clear thinking about metrics, and a good business model, which you test all the way through.
Think about the difference between coming up with something that is an order-of-magnitude better than what’s currently out there, versus putting out a minimum viable product and experimenting. They are completely different. They require different skills, different mindsets, and different methods for experimenting and testing your assumptions.
That is why you have to be clear about whether you’re creating or replacing.
Innovation Lessons from Hedy Lamarr
Posted by Tim in connect, innovation, time on 23 December 2011
Every time you use wi-fi, bluetooth, a cordless phone (including mobiles), GPS or anything with an RFID tag, you’re using a technology called spread spectrum radio. The first version of spread spectrum was invented during World War II as a method for controlling torpedos using rapidly changing radio frequency to control their direction in a way that couldn’t be jammed. It was invented by the composer George Antheil and the actor Hedy Lamarr.
That’s Hedy Lamarr:
not Hedley Lamarr:
The story of the invention is told by Richard Rhodes in Hedy’s Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World, which is well worth the read.
The story includes several important innovation lessons, including:
- Connecting ideas is the fundamental creative act of innovation: Rhodes interviewed Neno Amarena an engineer that discussed Lamarr’s inventive work with her in later years:
“More often than not,” he told me, “the inventive process follows a cascade of ideas and thoughts interconnected from previous concepts that for the most part lie separate, unconnected and unrelated. It takes a clear state of mind, which is usually someone thinking ‘outside the box,’ to suddenly or serendipitously see the connected between the unrelated concepts and put it all together to create something new.” In that regard, the process of invention is no different from the creative process in other fields. Scientific discovery proceeds the same way. So do painting and sculpture. So does creative writing. The results are different, because each process operates on different realities and by different rules.
That’s just a beautiful passage, which captures things perfectly.
- Innovation is a process: coming up with a great idea isn’t enough to innovate. You also have to select which ideas to pursue, you have to make them work, and you have to get them to spread. Lamarr and Antheil did all of the first three things brilliantly, but they fell over on the last bit. They figured out how to make spread spectrum work through frequency hopping, and were granted a patent for that. However, they couldn’t get the US Navy to adopt their idea. The donated the patent to the Navy, where it sat for about 20 years. It wasn’t until the 1980s that people started to realise what Lamarr and Antheil had accomplished. Which leads to the third point -
- Ideas spread slowly: and they can be ahead of their time. We like to think that the value of an idea is self-evident. This often isn’t true, and even when it is, that doesn’t mean that people will adopt it. In addition, you can be ahead of your time technologically. According to Rhodes, that seemed to be the case here:
“Lamarr and Antheil,” Price writes, “seem… to have been more than a score of years ahead of their time, considering that [frequency hopping] evidently was not used operationally against intentional jamming until [1963].”
You have to fight to get your ideas to spread, and this is a crucial part of the innovation process.
There’s also one last point that is easy to overlook: Lamarr and Antheil invented this breakthrough technology in their spare time. She was busy becoming a movie star, and he was writing symphonies while they worked out how to turn frequency hopping into a functional idea. A frequent excuse for not innovating is “I don’t have enough time.” But you do. Find the time, and use it.
What is Influence, Really?
Posted by Tim in connect, experiments, networks on 11 December 2011
One of my colleagues is doing research on social network use, and she asked me to help get people to take her survey. It takes about 8 minutes to fill it in. I was glad to help, and to do it, I set up a test.
First I posted the link on my Facebook page and asked my friends to take the test. About 20 out of 188 did so.
A few days later, I posted a link on Twitter, and asked everyone following me to take the test. Another 20 did, out of around 3000.
And now, here’s an interesting question: how do you blog readers stack up against my Facebook Friends and Twitter Followers? My bet is that you’ll win – to prove me right:
Click here to take the survey yourself!
The contrast in results between Facebook and Twitter illustrates some important lessons about influence. A lot of people have been talking recently about how to best measure online influence. Like innovation, influence is another thing that is awfully hard to measure.
One big problem is that influence is pretty hard to define in the first place. What does it mean? To me, influence is about getting people to take action. If that’s the case, you might think that I am lot more influential on Facebook (where about 11% of the people on my list of friends took the survey) than I am on Twitter (where about 0.7% of the people on my list of followers took the survey).
But I’m the same person – so am I influential or not?
One of the best thinkers around right now on the topic of influence is Valeria Maltoni – here is what she says about Klout’s attempt to measure influence:
I can tell you that Klout knows squat about me and my behavior. Zero, nothing, niente, nada. Got it? The fine folks behind the algorithm have no idea of who gets my emails and calls, which are the tools I use most to conduct my real business.
They know nothing about what I read and why I read it, because they are not reading these articles or talking with me. They are just tabulating the keywords and volume of my Twitter activity. Twitter. Shrink me into 140 characters. Or maybe they are 134 more than those in Pirandello’s play (more context was the lesson there, it is here, too).
Are the people in my life even on Twitter? You don’t know that.
Am I the person you read here every day? (And I thank you humbly and sincerely for reading and thinking about this content.) You are not just the person who is reading. You are much more than one thing you do, so why would I be just the person who is sharing here?
Martijn Linssen has done a lot of good work assessing the success of Klout in measuring influence.
This experiment illustrates some important points about influence:
- You can’t reduce a complex phenomenon to a single number: influence happens in person, online, with people we know well, and with people we’ve never met. This makes it very tricky to measure. This leads to:
- Don’t mistake the metric for what you’re trying to measure: the real problem with things like Klout is that once we have a metric, people will start trying to game the metric. You can do this, but it doesn’t increase your actual influence. The only way to do that is to do things that have a strong, positive impact on people, and to do it consistently. That’s a system that you can’t game – and if you focus too much on managing the metric, you’ll actually get worse at the thing that really matters.
- Influence really happens in networks: Duncan Watts has done a lot of excellent research that shows that the main thing that causes ideas to spread within networks is the extent to which the people in the network are likely to spread the idea. Here is how he put it in a recent post:
When we hear that a raging forest fire has consumed millions of acres of California forest, we don’t assume that there was anything special about the initial spark. Quite to the contrary, we understand that in context of the large-scale environmental conditions — prolonged drought, a buildup of flammable undergrowth, strong winds, rugged terrain, and on so — that truly drive fires, the nature of the spark itself is close to irrelevant.
Yet when it comes to the social equivalent of the forest fire, we do in effect insist that there must have been something special about the spark that started it. Because our experience tells us that leadership matters in small groups such as Army platoons or start-up companies, we assume that it matters in the same way for the very largest groups as well. Thus when we witness some successful movement or organization, it seems obvious to us that whoever the leader is, his or her particular combination of personality, vision, and leadership style must have supplied the critical X factor, where the larger and more successful the movement, the more important the leader will appear.
- Consequently, understanding how ideas spread through networks is essential to understanding influence: this is an idea that Greg Satell has incisively written about. Here’s what he says:
In effect, starting an epidemic is similar to a broadcast search. You are better off casting your net as widely as possible and reaching influential people as well as less influential ones. (See this article for more about broadcast and directed network searches)
Some paths will fail, but the more paths you initiate, the more likely that your idea will infect those who are susceptible to it. Just like delays at any airport can affect large hubs, influence can originate anywhere in social networks.
So the real answer to the question of whether or not I’m influential is: yes. Or no. Or maybe. The one thing that we can say is that my Facebook friends seem to be a lot more willing to act on a request for help than my twitter followers are. But this again is a network effect, and doesn’t actually have that much to do with me personally. The connections on Facebook are different, and people use that network to meet objectives that differ from those that Twitter users are trying to achieve.
Influence is very important, but measuring it is hard. The best way to increase your influence is to keep producing ideas that help people.
Also, if you could retweet this, that would be cool – it would really help my Klout score…
(just kidding – I’d much rather have you fill in Sabine’s survey – and the number of people that have gone to the survey from here is now higher than we got from either Facebook or Twitter!)
(that’s The Minutemen playing their great song Take Our Test)
How to Steal Like An Innovator
Posted by Tim in connect, innovation on 21 November 2011
I’ve been obsessed with this video for the past couple of days:
The song is Nouvelle Vague covering Dance With Me by Lords of the New Church. It’s a great cover. The video is an even more inspired piece. Youtube user Luakabopper took the song and put it over this amazing dance sequence from Bande a Part (the movie after which Quentin Tarantino named his production company). The combination of a Bossa Nova cover of a new wave song spliced with new wave cinema is genius all the way around.
It might not be obvious, but this great video tells us a lot about innovation. Here are some ideas:
- Innovation is about connecting ideas: I’ve always been fascinated by covers. When they’re done well, talented musicians take a good song and make it completely their own. This is combinatorial creativity. Taking an existing song, and combining it with your existing talent.
Innovators connect ideas as well. In his controversial article on Steve Jobs, Malcolm Gladwell says:
The visionary starts with a clean sheet of paper, and re-imagines the world. The tweaker inherits things as they are, and has to push and pull them toward some more nearly perfect solution.
John Gruber points out some of flaws in this argument, but the main one is that there’s no such thing as a clean sheet of paper. Connecting ideas is the fundamental creative act in innovation.
- Innovation gets to the core of ideas: the key to making a good cover is to find the key part of the song you’re playing and focus on that. This is what separates the talented bands from the not so talented ones. There are plenty of cover bands playing bars all around the world that don’t do anything special. The just play the songs as closely as to the original versions as they can. The thing that is great about Nouvelle Vague is that they are extremely skilled at finding the the critical core of each song that they play.
In his great post How to Steal Like an Artist, Austin Kleon included this picture:
And he said:
It’s often what an artist chooses to leave out that makes the art interesting. What isn’t shown vs. what is.
In this age of information overload and abundance, those who get ahead will be the folks who figure out what to leave out, so they can concentrate on what’s important to them.
This is true for innovation as well. The key to connecting ideas is to get to the core of the ideas that you are adapting. If you just copy an idea in its entirely, there’s no creativity involved, and no innovation. You must subtract to innovate through combination.
- You can’t just copy ideas, you have to create ideas of your own: you might argue that doing Bossa Nova covers of 1980s punk and new wave songs creates more novelty than value, but I love the Nouvelle Vague. It’s definitely novel, but in their best songs, there is something fascinating going on – these songs are interpretations that genuinely add something good to the originals.
This illustrates the innovation idea called absorptive capacity (Paul Hobcraft has done a great job of explaining the ideas behind absorptive capacity). The basic concept is that in order to absorb knowledge and ideas created by others, you have to be generating new knowledge and ideas yourself first.
This is a critical point if you innovating through any form of collaboration. You don’t gain an advantage by collaborating unless you’re capable of developing and executing good ideas on your own.
So the key to stealing like an innovator is this: don’t just copy ideas, connect them. Connect ideas from the outside with the internal capabilities that you use to create unique value.
Make Your Own Map to Make Novel Connections
Connecting ideas is the fundamental creative act in innovation.
If this is the case, how do we get better at it?
I was being interviewed in my office by a student yesterday for a project that she’s doing. As we talked, she kept looking at my bookshelves, with an increasingly confused look on her face. Finally, she said “this is off-topic, but what exactly do you study?” She had stumbled across one of my strategies for connecting ideas creatively – reading very widely.
Here is how I approached this issue in an earlier post:
A while back my PhD student Sam and I were talking, and he asked me about my RSS feed. His question was something along the lines of ‘what blogs would I have to read if I wanted to be able to make the connections that you do on your blog?’ As we talked, I realised that it didn’t matter if I gave anyone else my exact RSS feed, they wouldn’t be able to replicate my blog.
The reason for this is that the articles in my RSS feed that trigger ideas are completely dependent upon my unique set of experiences, including all of the things that I’ve read and done previously. It reminds me of the idea of psycheography that was developed by Guy Debord and The Situationists (it should be noted that they would be horrified at the use of these ideas in a context that has anything to do with business, but I guess this is part of building novel connections between ideas!).
Consider this map of Paris:
It shows the sections of the city used by a student over a period of several weeks. There are two important points to think about this with this. First, each person’s map of the city they live in will be unique. My version of Brisbane will by fundamentally different from that of everyone else that lives here. The same is true for all cities. Second, most people use only a very small percentage of the city in which they live. The student’s version of Paris is actually quite a small amount of the overall city.
The Situationists’ response to this was the dérive:
One of the basic situationist practices is the dérive [literally: “drifting”], a technique of rapid passage through varied ambiances. Dérives involve playful-constructive behavior and awareness of psychogeographical effects, and are thus quite different from the classic notions of journey or stroll.
In a dérive one or more persons during a certain period drop their relations, their work and leisure activities, and all their other usual motives for movement and action, and let themselves be drawn by the attractions of the terrain and the encounters they find there. Chance is a less important factor in this activity than one might think: from a dérive point of view cities have psychogeographical contours, with constant currents, fixed points and vortexes that strongly discourage entry into or exit from certain zones.
This might seem a bit abstract, but there are some important implications here for innovation, including:
- Identify the paths you normally take through information: the world of information is even bigger than a city. Each of us takes a unique path through this every day. What is yours? What are the limits that this path imposes on the ideas that you have and the connections you make?
- Introduce some new paths through this information: the dérive was a method for finding a way out of the normal paths one takes through a city. How can we do the same with information? Twitter can work as a serendipity engine, but to achieve this, you need to consciously connect and pay attention to people that have backgrounds and interests that are quite different from yours. And again, there is great value in reading widely.
- Make your own map: I’ve been telling my MBA students that their assessments should reflect their own map through the materials that we’re working on together – each person’s will be unique because they are applying the ideas in a unique situation. In other words, they have to make their own map through the material. So do you.
All of this is probably just a way to rephrase what John was saying when he was telling us to Be a Hedgefox!
The bottom line is this – to increase the quality of our innovative ideas, we have to figure out a way to make novel creative connections between ideas. To do this, we have to find a way to access ideas outside of our normal patterns of thinking. We have to make our own map.












